Not all God's creatures
have this much charm --
and looks can prove deceptive --
and yet do we feel less compassion,
knowing how much damage
this sweet face can wreak
when he gets inside
a boat, or a house?
So then,
if we can imagine loving
a pesky river otter,
can we not also learn
to love this grass, these trees,
the sand on which he stands,
the water in which he swims,
the fish on whom he feasts,
and then expand
that growing of affection
to include all of creation --
even that which hinders or destroys?
Friday, December 31, 2010
Thursday, December 30, 2010
In the spotlight
Some endure the spotlight;
others seek and enjoy it;
still others
prefer to shine it elsewhere;
to observe,
enlighten,
or simply highlight.
Here,
on this stage,
I kneel before the light,
opening
like a cup
to the Divine;
await illumination
on my knees:
exposed, welcoming,
clothed in simplicity,
poised to respond,
glowing softly
in Your radiant beams.
others seek and enjoy it;
still others
prefer to shine it elsewhere;
to observe,
enlighten,
or simply highlight.
Here,
on this stage,
I kneel before the light,
opening
like a cup
to the Divine;
await illumination
on my knees:
exposed, welcoming,
clothed in simplicity,
poised to respond,
glowing softly
in Your radiant beams.
Wednesday, December 29, 2010
Constraints and constrictions
Be patient, love:
in Spring the sap will rise.
Once that replenishment begins,
this thick skin you've cultivated
to protect you from the storms
will no longer be enough
to contain that which grows in you,
and will begin to peel away.
The slow excruciating tearing
redeems itself
by carrying away the scars
of old cuts you once endured;
will leave you fragile, vulnerable, glowing;
overflowing with new life.
Each stage has its discomfort:
the constraints and constrictions of winter
give way to the defenselessness of spring.
Soon you'll begin again to dread
the painful severing of autumn --
even summer aches with anticipation.
in Spring the sap will rise.
Once that replenishment begins,
this thick skin you've cultivated
to protect you from the storms
will no longer be enough
to contain that which grows in you,
and will begin to peel away.
The slow excruciating tearing
redeems itself
by carrying away the scars
of old cuts you once endured;
will leave you fragile, vulnerable, glowing;
overflowing with new life.
Each stage has its discomfort:
the constraints and constrictions of winter
give way to the defenselessness of spring.
Soon you'll begin again to dread
the painful severing of autumn --
even summer aches with anticipation.
Tuesday, December 28, 2010
The hate you carve
The hate you carve
into the wall
that is my skin,
that peels away my resistance,
underscores
my inability to love
outside my canvas of influence,
and that with which
I in turn respond to you,
the brush, the palette knife,
that separates us
each from each
and therefore
one from One,
cripples both
until we understand
that with each stroke
of these embittered colors,
we paint ourselves
into a deeper, darker,
lonelier corner.
into the wall
that is my skin,
that peels away my resistance,
underscores
my inability to love
outside my canvas of influence,
and that with which
I in turn respond to you,
the brush, the palette knife,
that separates us
each from each
and therefore
one from One,
cripples both
until we understand
that with each stroke
of these embittered colors,
we paint ourselves
into a deeper, darker,
lonelier corner.
Monday, December 27, 2010
1Peter 2:5
We, the living stones,
set here to dance
before the world,
articulate a tale of love and life,
of rebirth and acceptance,
of oneness with the earth;
with sea, and sky.
But remember this:
we are simply stones.
We did not construct ourselves
or choose the pattern of the dance;
the shape our lives have taken
is a gift of grace.
We are not responsible
for anything but being:
we needn't stop breathing
to hold the pose --
it will be held for us;
it's in our nature and design.
So breathe, and do not fear --
you'll not be tipping over; not just yet.
set here to dance
before the world,
articulate a tale of love and life,
of rebirth and acceptance,
of oneness with the earth;
with sea, and sky.
But remember this:
we are simply stones.
We did not construct ourselves
or choose the pattern of the dance;
the shape our lives have taken
is a gift of grace.
We are not responsible
for anything but being:
we needn't stop breathing
to hold the pose --
it will be held for us;
it's in our nature and design.
So breathe, and do not fear --
you'll not be tipping over; not just yet.
Saturday, December 25, 2010
Poised for proclamation
For unto each
a child is born:
into each heart
the spark is laid,
the table set,
the manger swept,
the stars aligned,
the patient shepherds
and their sheep,
the boisterous angels
and the wise ones
with their gifts
all waiting,
poised for proclamation;
for the moment
of acknowledgement
when all earth shall cry out
in recognition
of the Divine,
which is birthed again and again
each time we open our eyes.
* * *
a child is born:
into each heart
the spark is laid,
the table set,
the manger swept,
the stars aligned,
the patient shepherds
and their sheep,
the boisterous angels
and the wise ones
with their gifts
all waiting,
poised for proclamation;
for the moment
of acknowledgement
when all earth shall cry out
in recognition
of the Divine,
which is birthed again and again
each time we open our eyes.
* * *
Friday, December 24, 2010
It's still not Christmas
It might be red and green,
but it's not Christmas.
It might have a silvery gleam,
but it's not Christmas.
There may be sparkles,
or long lines,
or snowflakes melting before our eyes,
but it's not Christmas.
It's close -- the bells are ringing
and Bing Crosby's singing
Silent Night in his deep bass voice.
The cats are batting at the ornaments
that hang in lower branches of the tree,
the presents are all wrapped,
there's a fire in the fireplace
and Christmas cookies
cooling on the counter --
but it's still not Christmas.
How will we know when it arrives?
Something tells me that we'll feel it
in our hearts...
* * *
but it's not Christmas.
It might have a silvery gleam,
but it's not Christmas.
There may be sparkles,
or long lines,
or snowflakes melting before our eyes,
but it's not Christmas.
It's close -- the bells are ringing
and Bing Crosby's singing
Silent Night in his deep bass voice.
The cats are batting at the ornaments
that hang in lower branches of the tree,
the presents are all wrapped,
there's a fire in the fireplace
and Christmas cookies
cooling on the counter --
but it's still not Christmas.
How will we know when it arrives?
Something tells me that we'll feel it
in our hearts...
* * *
Thursday, December 23, 2010
A different view
Standing there,
waiting for the moon,
I turned for just a minute
and saw another view
beyond the fence;
a different set of mountains,
a different sky,
and wondered -- as we all do,
when we reach a certain age --
what life might have been like
had I walked a different path,
followed a different course,
taken the time to look
in a different direction...
See? It might have been
every bit as wonderful!
* * *
waiting for the moon,
I turned for just a minute
and saw another view
beyond the fence;
a different set of mountains,
a different sky,
and wondered -- as we all do,
when we reach a certain age --
what life might have been like
had I walked a different path,
followed a different course,
taken the time to look
in a different direction...
See? It might have been
every bit as wonderful!
* * *
Wednesday, December 22, 2010
This morning
This morning
I was craving a little blue;
thought I'd need to find it
on my own,
and then looked up to see
You'd offered me,
not just the blue,
but moon and mountain,
morning,
mist,
and mergansers,
all floating together
in perfect harmony,
dusted with a blush of pink:
an answer to a prayer
I'd never prayed;
a gift unveiled,
an offering of love.
* * *
I was craving a little blue;
thought I'd need to find it
on my own,
and then looked up to see
You'd offered me,
not just the blue,
but moon and mountain,
morning,
mist,
and mergansers,
all floating together
in perfect harmony,
dusted with a blush of pink:
an answer to a prayer
I'd never prayed;
a gift unveiled,
an offering of love.
* * *
Tuesday, December 21, 2010
Hold on -- they're on their way...
Hold on --
He's coming!
Hang in there,
it won't be long.
Clutch the edges
of your sanity;
hang suspended
in the madness;
paint yourself green,
add a big red bow --
Christmas, with its magi and the babe
are on their way...
* * *
He's coming!
Hang in there,
it won't be long.
Clutch the edges
of your sanity;
hang suspended
in the madness;
paint yourself green,
add a big red bow --
Christmas, with its magi and the babe
are on their way...
* * *
Monday, December 20, 2010
The awkwardness of Grace
Certain moments of grace --
the transition between airborne
and back on land or water,
for example --
or even when I'm taking off again --
can look
or feel
incredibly awkward
and exposed;
I never wanted you to see
how thin my legs,
how ruffled my feathers,
how contorted my wings can get
when I'm in that uplifting
or lowering space
between then and now.
Could you just turn your head away
while I settle back into position,
adjust my plumage,
show you my good side?
* * *
the transition between airborne
and back on land or water,
for example --
or even when I'm taking off again --
can look
or feel
incredibly awkward
and exposed;
I never wanted you to see
how thin my legs,
how ruffled my feathers,
how contorted my wings can get
when I'm in that uplifting
or lowering space
between then and now.
Could you just turn your head away
while I settle back into position,
adjust my plumage,
show you my good side?
* * *
Sunday, December 19, 2010
For all the possibilities
In dreams
I am a child again,
running forth
in hope of love and flight;
surrounded
by promise,
by invitation,
and example.
Leap!
I lift a foot in hope
and spread
pink unfeathered wings,
and toss sweet corn
and scraps of bread
in gratitude
for all the possibilities
life holds.
* * *
I am a child again,
running forth
in hope of love and flight;
surrounded
by promise,
by invitation,
and example.
Leap!
I lift a foot in hope
and spread
pink unfeathered wings,
and toss sweet corn
and scraps of bread
in gratitude
for all the possibilities
life holds.
* * *
Saturday, December 18, 2010
Not what you add or subtract
Perspective's an amazing thing:
I look at these seats --
now that I've tried to make
all the lines more even --
and suddenly the seats that are farther away
look closer than they should,
bigger than they are,
when all I was trying to do
was line them up --
which just goes to show:
control isn't always a good thing.
What looks rational
may not actually BE rational.
Mothers don't always know best. (Sorry, kiddo)
And what (I have to say,
looking at these seats)
makes an image -- or a life -- great
may not be what you and your ego
choose to add or subtract
but rather the light
that you somehow manage to convey...
* * *
I look at these seats --
now that I've tried to make
all the lines more even --
and suddenly the seats that are farther away
look closer than they should,
bigger than they are,
when all I was trying to do
was line them up --
which just goes to show:
control isn't always a good thing.
What looks rational
may not actually BE rational.
Mothers don't always know best. (Sorry, kiddo)
And what (I have to say,
looking at these seats)
makes an image -- or a life -- great
may not be what you and your ego
choose to add or subtract
but rather the light
that you somehow manage to convey...
* * *
Friday, December 17, 2010
One way of being One
Let's marry on the river, you said,
in a war canoe (how appropriate!),
and so we paddled to this place,
to say our vows, and to recite
that Robert Frost poem we found,
"West-Running Brook,"
saying solemnly,
"As you and I are married to each other,
We'll both be married to this brook.
We'll build Our bridge across it" --
and so we did
--you and I and the brook --
and we've been battling and bridging
that Oneness ever since.
* * *
in a war canoe (how appropriate!),
and so we paddled to this place,
to say our vows, and to recite
that Robert Frost poem we found,
"West-Running Brook,"
saying solemnly,
"As you and I are married to each other,
We'll both be married to this brook.
We'll build Our bridge across it" --
and so we did
--you and I and the brook --
and we've been battling and bridging
that Oneness ever since.
* * *
Thursday, December 16, 2010
Sailing right into a rainbow
In the midst of the darkness,
the clouds,
and the rain,
when the prospects are dim
and our troubles loom large
it's hard to remember
that this is the season
for rainbows.
It's when we're sailing along,
with the wind and the wet,
shoulders hunched
under raingear
and shivering
that there's a much greater chance
that the Sun will break through
and the glorious mix
of damp skies and light
will help us to see --
if we only look up --
that we're sailing
right into a rainbow.
* * *
the clouds,
and the rain,
when the prospects are dim
and our troubles loom large
it's hard to remember
that this is the season
for rainbows.
It's when we're sailing along,
with the wind and the wet,
shoulders hunched
under raingear
and shivering
that there's a much greater chance
that the Sun will break through
and the glorious mix
of damp skies and light
will help us to see --
if we only look up --
that we're sailing
right into a rainbow.
* * *
Wednesday, December 15, 2010
Before the night
Before the night,
the reindeer doze,
sleeping fitfully
in the afternoon sun
and dreaming of the task ahead.
Before the night
the cattle dozed
and shepherds watched their flocks,
dreaming of falling stars.
Before the night
the wise men rode
through the desert,
following the star.
Before the night
Mary rode her donkey,
full belly bouncing,
wondering sleepily
where and when the babe to come
might be born...
* * *
the reindeer doze,
sleeping fitfully
in the afternoon sun
and dreaming of the task ahead.
Before the night
the cattle dozed
and shepherds watched their flocks,
dreaming of falling stars.
Before the night
the wise men rode
through the desert,
following the star.
Before the night
Mary rode her donkey,
full belly bouncing,
wondering sleepily
where and when the babe to come
might be born...
* * *
Tuesday, December 14, 2010
Joining the Christmas Club
Tis the season melancholic,
alcoholic,
diabolic,
But it needn't be that way.
What virtue would you sparkle with
if you could afford the price?
Here they are:
The Merry Must-Haves,
All Under $100.
Joy,
Peace,
Compassion, and Tenderness.
Faith. Hope.
Courage, and Love
Humor, Passion -- the list goes on
And someone's surely checking it twice.
But you can have it all, the glitter and the glam,
if you just start saving now:
What's holding you back?
Don't wait till the season's gone
to join the Christmas Club!
* * *
alcoholic,
diabolic,
But it needn't be that way.
What virtue would you sparkle with
if you could afford the price?
Here they are:
The Merry Must-Haves,
All Under $100.
Joy,
Peace,
Compassion, and Tenderness.
Faith. Hope.
Courage, and Love
Humor, Passion -- the list goes on
And someone's surely checking it twice.
But you can have it all, the glitter and the glam,
if you just start saving now:
What's holding you back?
Don't wait till the season's gone
to join the Christmas Club!
* * *
Monday, December 13, 2010
Relax, release, and trust
While the rest of you
are open to cup the light
I'm curled in on myself,
my underside exposed,
bright veins knotted in anticipation,
carrying the memory
of the rain that is to come,
and though my differences
add interest to the picture,
to remain in that position
creates an ache,
a twisting, a resistance;
I'm longing to relax,
release,
and trust...
* * *
are open to cup the light
I'm curled in on myself,
my underside exposed,
bright veins knotted in anticipation,
carrying the memory
of the rain that is to come,
and though my differences
add interest to the picture,
to remain in that position
creates an ache,
a twisting, a resistance;
I'm longing to relax,
release,
and trust...
* * *
Sunday, December 12, 2010
Hoping for illumination
You got that right:
I want it all --
the deep teal of the water,
the brightwork
(but not the upkeep)
the contrast
of whitewrapped sail,
the crisp thin line
of white against the blue,
the shadow and the light...
and so I wait, and prowl the docks;
return again and again
with my expectant camera,
hoping for some brief illumination...
* * *
I want it all --
the deep teal of the water,
the brightwork
(but not the upkeep)
the contrast
of whitewrapped sail,
the crisp thin line
of white against the blue,
the shadow and the light...
and so I wait, and prowl the docks;
return again and again
with my expectant camera,
hoping for some brief illumination...
* * *
Saturday, December 11, 2010
A song of hope
There's a present
wrapped and waiting
in your heart.
There's a ribbon
that just aches
to be untied.
There are layers
upon layers,
tissue thin,
of joy
and sorrow
that are hoping
to be slowly
peeled away.
And beneath it all --
expectant,
dreaming,
yearning --
lies the One
you have been seeking
that is Love.
* * *
wrapped and waiting
in your heart.
There's a ribbon
that just aches
to be untied.
There are layers
upon layers,
tissue thin,
of joy
and sorrow
that are hoping
to be slowly
peeled away.
And beneath it all --
expectant,
dreaming,
yearning --
lies the One
you have been seeking
that is Love.
* * *
Friday, December 10, 2010
Listen for the Now
A thousand gates,
there are,
that open to the spirit;
ten thousand paths
approach them.
But then,
beyond the gate,
lies only one invitation:
a call to light,
and air;
to water, sea and sky;
to oneness with all that is,
that ever was,
and ever will have been;
a timeless space
in which to float
and breathe the light
that fills our hearts,
eyes, ears and mouths
with wonder:
Rejoice! and listen for the Now.
* * *
there are,
that open to the spirit;
ten thousand paths
approach them.
But then,
beyond the gate,
lies only one invitation:
a call to light,
and air;
to water, sea and sky;
to oneness with all that is,
that ever was,
and ever will have been;
a timeless space
in which to float
and breathe the light
that fills our hearts,
eyes, ears and mouths
with wonder:
Rejoice! and listen for the Now.
* * *
Thursday, December 9, 2010
A spark of yellow
Help me to remember:
just because I have lemons,
I don't have to make lemonade,
no matter what
the popular wisdom says.
Not all lemons are bad, you know --
sometimes we grow them
or buy them
on purpose;
for the smell,
or the taste,
or even just the bright golden glory of them.
And if,
by some chance,
you got a lemon
when you were hoping for something else --
well, then; lemonade might be a good thing...
or maybe you could just accept it,
as an unexpected gift,
a spark of yellow
to enliven a life of deep, dark green...
* * *
just because I have lemons,
I don't have to make lemonade,
no matter what
the popular wisdom says.
Not all lemons are bad, you know --
sometimes we grow them
or buy them
on purpose;
for the smell,
or the taste,
or even just the bright golden glory of them.
And if,
by some chance,
you got a lemon
when you were hoping for something else --
well, then; lemonade might be a good thing...
or maybe you could just accept it,
as an unexpected gift,
a spark of yellow
to enliven a life of deep, dark green...
* * *
Wednesday, December 8, 2010
Time to dive in
Dive in, now,
though the water's murky
and churning,
release your clinging to the wall,
step out onto the board
and take that necessary leap.
It's time to turn
from the shattered separation
that is being
in your current space;
time to delve into the oneness
that awaits,
the deepening confusion,
the ripples of despair,
the joy all woven in together
like seaweed on an ocean floor...
* * *
though the water's murky
and churning,
release your clinging to the wall,
step out onto the board
and take that necessary leap.
It's time to turn
from the shattered separation
that is being
in your current space;
time to delve into the oneness
that awaits,
the deepening confusion,
the ripples of despair,
the joy all woven in together
like seaweed on an ocean floor...
* * *
Tuesday, December 7, 2010
The stage is set
The stage is set
for your entrance now;
the dark descended full,
the flames of our past agonies
toss sparks of possibility
into futures yet unknown,
and still we wait -- breathless,
seated now,
having bought and handed in
our tickets --
we grip each others hands
in anticipation:
what new act,
startling in its ingenuity
will hurl itself from the balcony of stars
and into our hearts?
* * *
for your entrance now;
the dark descended full,
the flames of our past agonies
toss sparks of possibility
into futures yet unknown,
and still we wait -- breathless,
seated now,
having bought and handed in
our tickets --
we grip each others hands
in anticipation:
what new act,
startling in its ingenuity
will hurl itself from the balcony of stars
and into our hearts?
* * *
Monday, December 6, 2010
Please: stop, and breathe
Today I seem to be swimming upstream,
hedged in on every side
by a scaffolding of responsibility;
my path set in colored stone,
my breath coming in painful gasps,
eyes blinded to the beauty of the season
by the demands of duty.
What if I were to shatter here,
break into bits and fall away
from this annual race to the finish?
Would the star still rise,
the manger still fill with hope,
the angels sing, and shepherds cry in wonder?
Release, I think, rejoice --
stop clinging to the wall.
Please; stop, and breathe.
* * *
hedged in on every side
by a scaffolding of responsibility;
my path set in colored stone,
my breath coming in painful gasps,
eyes blinded to the beauty of the season
by the demands of duty.
What if I were to shatter here,
break into bits and fall away
from this annual race to the finish?
Would the star still rise,
the manger still fill with hope,
the angels sing, and shepherds cry in wonder?
Release, I think, rejoice --
stop clinging to the wall.
Please; stop, and breathe.
* * *
Sunday, December 5, 2010
When art inhibits anger
Stop! you say.
Smell the flowers!
But those you offer have no scent
and I grow tired
of all the ways
you attempt to entice me
with sly references to universal truths,
trying to reel me in
to your particular belief system.
And yet --
is one flower, however bold or unscented,
all that different from another?
Do they not both have color?
Stamen, pistil, petal; a single artist
to paint their colors on an unsuspecting world?
You say this one's not real,
but what is real?
What's real is this: an angry woman driving by
who leaves her anger for a moment
to shoot this photograph
and smile.
* * *
Smell the flowers!
But those you offer have no scent
and I grow tired
of all the ways
you attempt to entice me
with sly references to universal truths,
trying to reel me in
to your particular belief system.
And yet --
is one flower, however bold or unscented,
all that different from another?
Do they not both have color?
Stamen, pistil, petal; a single artist
to paint their colors on an unsuspecting world?
You say this one's not real,
but what is real?
What's real is this: an angry woman driving by
who leaves her anger for a moment
to shoot this photograph
and smile.
* * *
Saturday, December 4, 2010
Looking, not up, but in
I'm tired of looking up at You:
it's making me dizzy,
tipsy;
the world is beginning to quake
beneath my feet,
and I need grounding.
So if you don't mind,
I think I'll seek You elsewhere,
somewhere closer to home;
somewhere deeper,
truer,
more tangible,
more Now.
All those lofty ambitions
were all very well
when I was trying to build a bridge
from here to there,
but now I think I'd rather spend my time
getting comfortable with Here,
with Now,
with looking -- not down -- but In.
* * *
it's making me dizzy,
tipsy;
the world is beginning to quake
beneath my feet,
and I need grounding.
So if you don't mind,
I think I'll seek You elsewhere,
somewhere closer to home;
somewhere deeper,
truer,
more tangible,
more Now.
All those lofty ambitions
were all very well
when I was trying to build a bridge
from here to there,
but now I think I'd rather spend my time
getting comfortable with Here,
with Now,
with looking -- not down -- but In.
* * *
Thursday, December 2, 2010
Thinking of you
Immobilized in snow,
wings frozen by the storm,
arrested, not in flight,
but in a moment of grace;
shoulders piled high
with cold,
that, though it does not weigh her down,
will nonetheless enforce
a certain grounding --
she lifts her hands in prayer
and thinks of you,
of all the thoughts and duties
that keep you tethered to time;
of all the coldness in the world
that drives you to forget
the wings that even now could lift you
from the Slough of Despond,
of all the burdens that you carry --
the ones that slow your steps
and make you ache
for all the losses that you've borne...
• • •
wings frozen by the storm,
arrested, not in flight,
but in a moment of grace;
shoulders piled high
with cold,
that, though it does not weigh her down,
will nonetheless enforce
a certain grounding --
she lifts her hands in prayer
and thinks of you,
of all the thoughts and duties
that keep you tethered to time;
of all the coldness in the world
that drives you to forget
the wings that even now could lift you
from the Slough of Despond,
of all the burdens that you carry --
the ones that slow your steps
and make you ache
for all the losses that you've borne...
• • •
Wednesday, December 1, 2010
Here, and yet not present
The lioness waits, frozen in the now,
one paw curled as if ready to lick
or pluck a pesky thorn
from tormented pad,
eyes forward and ears cocked,
as if the sight, or scent, or sound of game
has captured her attention;
taken her,
if only for this moment,
out of herself,
to focus on the what-might-be.
And if you were to shoot me now,
would I, like her, be staring at the future,
ignoring the pleasure of bird-in-hand
for the temptations of two in the bush
while failing to notice
the softness of the sand that cushions me,
the cool breeze on my cheeks,
the rosy light of the dying sun?
Tell me then: what is the difference
between here-and-yet-not-present
and death?
* * *
one paw curled as if ready to lick
or pluck a pesky thorn
from tormented pad,
eyes forward and ears cocked,
as if the sight, or scent, or sound of game
has captured her attention;
taken her,
if only for this moment,
out of herself,
to focus on the what-might-be.
And if you were to shoot me now,
would I, like her, be staring at the future,
ignoring the pleasure of bird-in-hand
for the temptations of two in the bush
while failing to notice
the softness of the sand that cushions me,
the cool breeze on my cheeks,
the rosy light of the dying sun?
Tell me then: what is the difference
between here-and-yet-not-present
and death?
* * *
Tuesday, November 30, 2010
A time to wait and wonder
There comes a time in every life
when all we're called to do
is wait and wonder;
when moving from this spot
may mean missed opportunity
but staying doesn't seem
to have a purpose; when life's
on hold, and hope and joy
are tethered nearby, ready to burst,
awaiting sweet release.
I'm standing here,
clinging to your promises,
keeping a wary eye on the time
and wondering when you'll appear.
* * *
when all we're called to do
is wait and wonder;
when moving from this spot
may mean missed opportunity
but staying doesn't seem
to have a purpose; when life's
on hold, and hope and joy
are tethered nearby, ready to burst,
awaiting sweet release.
I'm standing here,
clinging to your promises,
keeping a wary eye on the time
and wondering when you'll appear.
* * *
Monday, November 29, 2010
We are not in our hands
Top down,
the brain is in control:
we are not in our hands
but move them from a distance;
paying no attention
to the data gathered there.
The world is always tipping into future
while we're clinging to the ladder
which traces its constant stripe
across peripheral vision:
there's always someplace higher we could climb.
How can we turn this picture inside out,
and roll away those stony thoughts
that keep us prison bound?
What incantation could we breathe
to make these boundaries permeable
and set us free to float into true being?
Release control:
empower hands, and listen.
Envision and connect
each source of light and color;
erase the lines that separate
and step into liquidity,
becoming one with sea and stone
and basking in the current as it carries us,
rolling over into Now,
the Now that's where we've always been,
that feeds our hearts and
fills our hands with knowing.
* * *
the brain is in control:
we are not in our hands
but move them from a distance;
paying no attention
to the data gathered there.
The world is always tipping into future
while we're clinging to the ladder
which traces its constant stripe
across peripheral vision:
there's always someplace higher we could climb.
How can we turn this picture inside out,
and roll away those stony thoughts
that keep us prison bound?
What incantation could we breathe
to make these boundaries permeable
and set us free to float into true being?
Release control:
empower hands, and listen.
Envision and connect
each source of light and color;
erase the lines that separate
and step into liquidity,
becoming one with sea and stone
and basking in the current as it carries us,
rolling over into Now,
the Now that's where we've always been,
that feeds our hearts and
fills our hands with knowing.
* * *
Sunday, November 28, 2010
Loving brushmarks
What artist,
probably unpaid,
would choose to mimic God
and paint a forest of his own design
upon a warehouse wall
for the delight of passers-by?
And is that not the choice
that God herself has made,
to gift us each with strokes
of divine inspiration;
loving brushmarks sprawled
across the canvas of our lives?
* * *
probably unpaid,
would choose to mimic God
and paint a forest of his own design
upon a warehouse wall
for the delight of passers-by?
And is that not the choice
that God herself has made,
to gift us each with strokes
of divine inspiration;
loving brushmarks sprawled
across the canvas of our lives?
* * *
Saturday, November 27, 2010
Chromophilia
"I'll be taking," she said,
"a course in chromophilia."
And so I longed to ask,
"and what will that tell you
about why I chose to alter this grafitti;
to shift its tones from yellow, red,
cyan, gray and white,
to move it into purples and blues,
then punch it up
with flashes of yellow and red?
Will my color choices, then,
be telling you some secret story,
give some hint of how I came to be
sitting in an airport,
nursing a cut on my hand,
and waiting for a long-delayed flight?"
* * *
"a course in chromophilia."
And so I longed to ask,
"and what will that tell you
about why I chose to alter this grafitti;
to shift its tones from yellow, red,
cyan, gray and white,
to move it into purples and blues,
then punch it up
with flashes of yellow and red?
Will my color choices, then,
be telling you some secret story,
give some hint of how I came to be
sitting in an airport,
nursing a cut on my hand,
and waiting for a long-delayed flight?"
* * *
Thursday, November 25, 2010
Don't worry; be thankful
So what if you're unemployed,
living under threat of foreclosure:
the illusion of success
must be kept up at all costs.
Don't Worry! Be Happy!
So what if the kids are making choices
that you know they will regret?
Don't Worry! Be Happy!
So what if war looms again on the horizon?
For one day, couldn't you just take my advice?
We're standing in Fat City!
Don't Worry!
Be Thankful!
* * *
living under threat of foreclosure:
the illusion of success
must be kept up at all costs.
Don't Worry! Be Happy!
So what if the kids are making choices
that you know they will regret?
Don't Worry! Be Happy!
So what if war looms again on the horizon?
For one day, couldn't you just take my advice?
We're standing in Fat City!
Don't Worry!
Be Thankful!
* * *
Wednesday, November 24, 2010
City spectrum
In one part of the city,
parents in brightly colored fleece
pay $30 each to push
fat-cheeked babies in hi-tech strollers
through an artificial rainforest,
while giant fabricated snowflakes dance
in the heated breeze above their heads.
Elsewhere,
below graffiti-covered walls
the homeless ones gather on the street,
chilled fingers playing music for pennies,
checking discarded coffee cups
for one last drop of caffeinated nectar.
Shivering under a blanket with his dog,
a young boy catches cold wet snowflakes
on his tongue.
* * *
parents in brightly colored fleece
pay $30 each to push
fat-cheeked babies in hi-tech strollers
through an artificial rainforest,
while giant fabricated snowflakes dance
in the heated breeze above their heads.
Elsewhere,
below graffiti-covered walls
the homeless ones gather on the street,
chilled fingers playing music for pennies,
checking discarded coffee cups
for one last drop of caffeinated nectar.
Shivering under a blanket with his dog,
a young boy catches cold wet snowflakes
on his tongue.
* * *
Tuesday, November 23, 2010
Amidst the shifting, trust
Shadows and light, patterns on a life,
moving across each picture
like clouds across the sky,
casting highlights,
illuminating dreams,
shading reality...
If inside all is dark,
step outside your world and see
the movement and the shift:
know the light is slowly
inching toward your window;
preparing to pour in again.
Take your cup in readiness,
stand and hold it by your window.
Trust that it will soon be filled with light.
* * *
moving across each picture
like clouds across the sky,
casting highlights,
illuminating dreams,
shading reality...
If inside all is dark,
step outside your world and see
the movement and the shift:
know the light is slowly
inching toward your window;
preparing to pour in again.
Take your cup in readiness,
stand and hold it by your window.
Trust that it will soon be filled with light.
* * *
Sunday, November 21, 2010
Who knew?
Who knew the water
now so gray
could glow like rainbow sherbet?
Who knew the snow,
so blue with cold
could pulse with fire
in the evening light?
Who knew the evergreens,
their green so soft,
could loom so blackly,
darkening this horizon?
Who knows
what changes
light and seasons bring,
what joy may follow sorrow,
and what tears may fill
the empty basin of a broken heart
until it pulses
once again
with light?
* * *
now so gray
could glow like rainbow sherbet?
Who knew the snow,
so blue with cold
could pulse with fire
in the evening light?
Who knew the evergreens,
their green so soft,
could loom so blackly,
darkening this horizon?
Who knows
what changes
light and seasons bring,
what joy may follow sorrow,
and what tears may fill
the empty basin of a broken heart
until it pulses
once again
with light?
* * *
Saturday, November 20, 2010
Resting in delight
I am,
you are,
we are
all empty boats;
some plastic and some wood,
some durable,
some beautiful,
some lucky enough
to be both,
all easily hooked
and lifted
out of our element
into the unknown
that is air,
that is helpless,
that is tethered
to some reality
not our own
and still we revel
in sweet delight
until such moments do occur...
* * *
you are,
we are
all empty boats;
some plastic and some wood,
some durable,
some beautiful,
some lucky enough
to be both,
all easily hooked
and lifted
out of our element
into the unknown
that is air,
that is helpless,
that is tethered
to some reality
not our own
and still we revel
in sweet delight
until such moments do occur...
* * *
Friday, November 19, 2010
When will we learn?
Mountain, air,
river and sky;
the feathered wing
of the evergreen tree,
and through it all
the bridge we built
to get to the other side...
all of it fading
into one bright oneness;
all of it drawing
us into the connections,
bridging the gap
between low and high,
between then and now,
between You and me,
and still the hordes come
in their hobnailed boots
to poison the water;
to tear down the forest
and level the mountains...
when will we learn?
* * *
river and sky;
the feathered wing
of the evergreen tree,
and through it all
the bridge we built
to get to the other side...
all of it fading
into one bright oneness;
all of it drawing
us into the connections,
bridging the gap
between low and high,
between then and now,
between You and me,
and still the hordes come
in their hobnailed boots
to poison the water;
to tear down the forest
and level the mountains...
when will we learn?
* * *
Thursday, November 18, 2010
Perhaps
Perhaps if I step out into the sea;
sever all but one connection
to the reality I knew
and build a one-lane bridge
so I can control all the input
from what was,
to what will be...
Perhaps then I will come to understand
that all I need
is here,
is now,
in sky and sea
and palms and waves
and You.
* * *
sever all but one connection
to the reality I knew
and build a one-lane bridge
so I can control all the input
from what was,
to what will be...
Perhaps then I will come to understand
that all I need
is here,
is now,
in sky and sea
and palms and waves
and You.
* * *
Wednesday, November 17, 2010
Hoping for a chance to touch the sky
Sometimes
our mistakes loom large,
like mountains
on a not-distant-enough horizon,
haunting us
with their clouds and shadows.
Today I prefer to think
my mistakes add definition
to a view of life
that might otherwise
be rather dull.
What would YOU rather look at?
That dark and tidy perfection below --
or that alluring and colorful past
that keeps us striving forward,
hoping for a chance to touch the sky?
* * *
our mistakes loom large,
like mountains
on a not-distant-enough horizon,
haunting us
with their clouds and shadows.
Today I prefer to think
my mistakes add definition
to a view of life
that might otherwise
be rather dull.
What would YOU rather look at?
That dark and tidy perfection below --
or that alluring and colorful past
that keeps us striving forward,
hoping for a chance to touch the sky?
* * *
Tuesday, November 16, 2010
Stepping stones to You
Today my clouds are thin,
and graceful;
a delicate tracery of white
against a field of blue;
in perfect balance,
instead of overwhelming me
with feelings of remorse and shame
the way they sometimes
used to do
when pride, or joy
arose from deep within;
small volcanoes of pleasure
erupting and subsiding,
leaving behind islands of love
like stepping stones
to You.
* * *
and graceful;
a delicate tracery of white
against a field of blue;
in perfect balance,
instead of overwhelming me
with feelings of remorse and shame
the way they sometimes
used to do
when pride, or joy
arose from deep within;
small volcanoes of pleasure
erupting and subsiding,
leaving behind islands of love
like stepping stones
to You.
* * *
Monday, November 15, 2010
Does God have bad days?
There's so much joy
in completion;
such delight,
when something's finished
and off your plate;
tied up and delivered
and somewhere close to perfect...
I wonder if God feels that way
at the end of each day --
all those tasks accomplished,
all those lives enriched,
all that beauty created...
and does God have bad days?
Days when everything goes wrong
and the sun seems permanently stuck
behind the clouds of failure and remorse;
days when it seems that no-one will ever
understand or appreciate
all God's hard work?
* * *
in completion;
such delight,
when something's finished
and off your plate;
tied up and delivered
and somewhere close to perfect...
I wonder if God feels that way
at the end of each day --
all those tasks accomplished,
all those lives enriched,
all that beauty created...
and does God have bad days?
Days when everything goes wrong
and the sun seems permanently stuck
behind the clouds of failure and remorse;
days when it seems that no-one will ever
understand or appreciate
all God's hard work?
* * *
Saturday, November 13, 2010
Somewhere on the edge
Such wild exuberance,
they said,
could never go
unpunished:
trim them down,
line them up
in tasteful rows;
order should be
the rule of the day.
But beauty and love
will always find
a place to bloom --
somewhere on the edge, perhaps;
where the wind is stronger,
the waves rougher
and the seeds can scatter freely.
* * *
they said,
could never go
unpunished:
trim them down,
line them up
in tasteful rows;
order should be
the rule of the day.
But beauty and love
will always find
a place to bloom --
somewhere on the edge, perhaps;
where the wind is stronger,
the waves rougher
and the seeds can scatter freely.
* * *
Friday, November 12, 2010
Imagine ignition
Imagine
ignition:
the thrill of transition
from green and fertile calm;
the slow warming of yellow
spreading through your veins,
tickling at the edges;
the veins themselves
beginning to glow;
red fire
leaping to the surface;
the flush of excitement,
the blush of readiness,
the tearing fearful ache
of impending separation
from the Source,
the break,
and then the soaring,
lifted on the wings of air,
the gentle landing,
cushioned by your peers...
* * *
ignition:
the thrill of transition
from green and fertile calm;
the slow warming of yellow
spreading through your veins,
tickling at the edges;
the veins themselves
beginning to glow;
red fire
leaping to the surface;
the flush of excitement,
the blush of readiness,
the tearing fearful ache
of impending separation
from the Source,
the break,
and then the soaring,
lifted on the wings of air,
the gentle landing,
cushioned by your peers...
* * *
Thursday, November 11, 2010
The texture of our being
Waves
like feathers:
this radiant wake
you leave behind
as you steam through existence,
joined by the black shadow
of your reflected self
while each
-- both shadow and wave --
reflects some aspect
of your essential being.
How much
of what we touch
is altered
simply by the texture
of our being?
* * *
like feathers:
this radiant wake
you leave behind
as you steam through existence,
joined by the black shadow
of your reflected self
while each
-- both shadow and wave --
reflects some aspect
of your essential being.
How much
of what we touch
is altered
simply by the texture
of our being?
* * *
Wednesday, November 10, 2010
Down the drain...
On those days
when I want to wash my hands
of the whole business,
remind me,
would you please,
of the shared and simple pleasures:
the scent of soap,
the warmth of water,
the play of light
on stainless steel,
the sway of the ferry floor
beneath my feet;
of our extraordinary good fortune
in being able
to wash our hands at all?
* * *
Tuesday, November 9, 2010
This green relationship
Here we are,
you and I,
entangled and enmeshed.
You provide the stage
while I provide the dance;
you the furrowed fields
and I the plants;
you the fabric of my days
while I sew in
the stars and stripes.
Together we become
a symbol of cooperation
yet still some part of me resists,
considers switching roles,
feels smaller and less valued,
knowing that without your grounding
I'd probably disappear,
forgetting that without
the delicate counterpoint I provide
our precious melody might then
devolve into mere drone.
* * *
you and I,
entangled and enmeshed.
You provide the stage
while I provide the dance;
you the furrowed fields
and I the plants;
you the fabric of my days
while I sew in
the stars and stripes.
Together we become
a symbol of cooperation
yet still some part of me resists,
considers switching roles,
feels smaller and less valued,
knowing that without your grounding
I'd probably disappear,
forgetting that without
the delicate counterpoint I provide
our precious melody might then
devolve into mere drone.
* * *
Monday, November 8, 2010
Born to douse the landscape
How would it feel,
I wonder,
to be a member
of this fringe group,
to stand together,
face into the wind,
sheltered by these glowing petals,
knowing
you were born to dance;
born to toss your head
and douse the landscape
with golden dust;
to feed the bees
and pollinate the world
with beauty?
* * *
I wonder,
to be a member
of this fringe group,
to stand together,
face into the wind,
sheltered by these glowing petals,
knowing
you were born to dance;
born to toss your head
and douse the landscape
with golden dust;
to feed the bees
and pollinate the world
with beauty?
* * *
Sunday, November 7, 2010
Cradled in the Now
Compose yourself
and stand
before the Now;
view the richness
pouring
into this vast
and deepening
moment.
Hold your breath,
and, awestruck,
beam like sun
your radiant blessing
here upon the Now.
Watch
and wait,
not for what will be
but for that
which has already emerged
and lies before you
cradled in the Now.
* * *
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